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Mark Deuze, "Well-Being and Creative Careers: What Makes You Happy Can Also Make You Sick" (Intellect Books, 2025)
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Jibola Fagbamiye and Conor McCreery, "Fela: Music Is the Weapon" (Amistad Press, 2025)
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Grace Kessler Overbeke, "First Lady of Laughs: The Forgotten Story of Jean Carroll" (NYU Press, 2024)
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Elliott Kalan, "Joke Farming: How to Write Comedy and Other Nonsense" (U Chicago Press, 2025)
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Sarah F. Derbew, "Untangling Blackness in Greek Antiquity" (Cambridge UP, 2022)
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Stefania Marghitu, "Teen TV" (Routledge, 2021)
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Chris Yogerst, "The Warner Brothers" (UP of Kentucky, 2023)
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Amy Hughes, "An Actor's Tale: Theater, Culture, and Everyday Life in the Nineteenth-Century United States" (U Michigan Press, 2025)
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Lester D. Friedman, "Citizen Spielberg" (U of Illinois Press, 2022)
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Christina Lane, "Phantom Lady: Hollywood Producer Joan Harrison, the Forgotten Woman Behind Hitchcock" (Chicago Review Press, 2020)
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Páraic Kerrigan, "LGBTQ Visibility, Media and Sexuality in Ireland" (Routledge, 2020)
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Lucy Caplan, "Dreaming in Ensemble: How Black Artists Transformed American Opera" (Harvard UP, 2025)
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Strings of Identity: The Horse-Head Fiddle and Mongolian Identity in China (with Ying Song)
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Jessica Doyle and Jordan Ferguson, "Dance Dance Revolution" (Boss Fight Books, 2025)
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Janice Ross "The Choreography of Environments: How the Anna and Lawrence Halprin Home Transformed Contemporary Dance and Urban Design" (Oxford UP, 2025)
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A Song for the Horses: Musical Heritage for More-than-Human Futures in Mongolia
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Julia Fawcett, "Movable Londons: Performance and the Modern City" (U Michigan Press, 2025)
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Julia Fawcett, "Movable Londons: Performance and the Modern City" (U Michigan Press, 2025)
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Delia Casadei, "Risible: Laughter without Reason and the Reproduction of Sound" (U California Press, 2024)
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Peter C. Zimmerman, "The Jazz Masters: Setting the Record Straight" (UP of Mississippi, 2021)
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Bradley Morgan, "U2: Until the End of the World" (Weldon Owen, 2025)
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Whitney Laemmli on Making Movement Modern
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Christa Anne Bentley et al, eds., "Taylor Swift: The Star, The Songs, The Fans" (Routledge, 2025)
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Samer Al-Saber, "A Movement's Promise: The Making of Contemporary Palestinian Theater" (Stanford UP, 2025)
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Mary Beth Willard, "Why It's Ok to Enjoy the Work of Immoral Artists" (Routledge, 2021)
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Cary Baker, "Down On The Corner: Adventures in Busking & Street Music" (Jawbone Press, 2025)
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Leon J. Hilton, "Counter-Cartographies: Neurodivergence and the Errancies of Performance" (U Minnesota Press, 2025)
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Diana Souhami, "No Modernism Without Lesbians" (Head of Zeus Book, 2020)
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Kathleen Wilson, "Strolling Players of Empire: Theater and Performances of Power in the British Imperial Provinces, 1656–1833" (Cambridge UP, 2022)
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Nan Z. Da, The Chinese Tragedy of King Lear (Princeton UP, 2025)
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Christopher M. Reali, "Music and Mystique in Muscle Shoals" (U Illinois Press, 2022)
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Inna Faliks, "Weight in the Fingertips: A Musical Odyssey from Soviet Ukraine to the World Stage" (Backbeat Books, 2023)
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"Swiz" (Akashic Books, 2025)
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Julia Sneeringer, "A Social History of Early Rock ‘n’ Roll in Germany: Hamburg from Burlesque to The Beatles, 1956-69" (Bloomsbury, 2018)
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Sarah E. K. Smith, "Trading on Art: Cultural Diplomacy and Free Trade in North America" (UBC Press, 2025)
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Martin Shuster, "Critical Theory: The Basics" (Routledge, 2024)
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Jess Reia, "Urban Music Governance: What Busking Can Teach Us about Data, Policy and Our Cities" (Intellect, 2025)
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Bruce Isaacs, "The Art of Pure Cinema: Hitchcock and His Imitators" (Oxford UP, 2020)
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Charlotte Bentley, "New Orleans and the Creation of Transatlantic Opera, 1819–1859" (U of Chicago Press, 2022)
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Lost Women of Disco
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Kelefa Sanneh, "Major Labels: A History of Popular Music in Seven Genres" (Penguin, 2021)
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Triauna Carey, "The Revolution Will Be Spotified: Music As a Rhetorical Mode of Resistance" (Lexington Books, 2024)
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Neil Gregor, "The Symphony Concert in Nazi Germany" (U Chicago Press, 2025)
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Love Saves the Day: On the 1970s New York Club Scene
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Nan Z. Da, "The Chinese Tragedy of King Lear" (Princeton UP, 2025)
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S1.E2. Wayne County at the Trucks (1974)
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Cheryl Thompson, "Canada and the Blackface Atlantic: Performing Slavery, Conflict and Freedom, 1812-1895" (Wilfrid Laurier UP, 2025)
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John DeVore, "Theatre Kids: A True Tale of Off-Off Broadway" (Applause, 2024)
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Shayna M. Silverstein, "Fraught Balance: The Embodied Politics of Dabke Dance Music in Syria" (Wesleyan UP, 2024)
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Maya J. Berry, "Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons" (Duke UP, 2025)
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Amin Ghaziani, "Long Live Queer Nightlife: How the Closing of Gay Bars Sparked a Revolution" (Princeton UP, 2024)
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Frederick Reece, "Forgery in Musical Composition: Aesthetics, History, and the Canon" (Oxford University Press, 2025)
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Leah Lax, "Not From Here: the Song of America" (Pegasus Elliot MacKenzie, 2024)
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Pamela Karimi, "Women, Art, Freedom: Artists and Street Politics in Iran" (Leuven University Press, 2024)
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John Trafton, "Movie-Made Los Angeles" (Wayne State UP, 2023)
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antonio c. cuyler, "Achieving Creative Justice in the U.S. Creative Sector" (Routledge, 2025)
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Gwynne Kuhner Brown, "William L. Dawson" (University of Illinois Press, 2024)
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Donall Mac Cathmhaoill, "Theatres of Post-Conflict Northern Ireland: Winning the Peace" (University of Exeter Press, 2024)
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Paola De Santo and Caterina Mongiat Farina, (eds. and trans.) Isabella Andreini, "Letters" (Iter Press, 2023)
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Katie Beswick, "Slags on Stage: Class, Sex, Art and Desire in British Culture" (Routledge, 2025)
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Adi Nester, "Unsettling Difference: Music Drama, the Bible, and the Critique of German Jewish Identity" (Cornell UP, 2025)
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Heist
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Claire Knight, "Stalin's Final Films: Cinema, Socialist Realism, and Soviet Postwar Reality, 1945-1953" (Cornell UP, 2024)
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Kevin Smokler, "Break the Frame: Conversations with Women Filmmakers" (Oxford UP, 2025)
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M. Myrta Leslie Santana, Transformismo: Performing Trans/Queer Cuba" (U Michigan Press, 2025)
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Matthew Restall, "On Elton John: An Opinionated Guide" (Oxford UP, 2025)
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Mayukh Sen, "Love, Queenie: Merle Oberon, Hollywood's First South Asian Star" (Norton, 2025)
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Annie Zaleski, "I Got You Babe: A Celebration of Cher" (Running Press Adult, 2025)
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Robert F. Darden and Stephen M. Newby, "Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch" (Oxford UP, 2025)
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The Fisher King
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Ariel Nereson, "Democracy Moving: Bill T. Jones, Contemporary American Performance, and the Racial Past" (U Michigan Press, 2022)
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Samuel Jay Keyser, "Play It Again, Sam: Repetition in the Arts" (MIT Press, 2025)
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John Lee Hooker Jr., "From the Shadow of the Blues: My Story of Music, Addiction, and Redemption" (Rowman & Littlefield, 2025)
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Robin Miles: Talking Books
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Liz Pelly, "Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist" (Atria, 2025)
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Katie Milestone and Simon A. Morrison, "Transatlantic Drift: The Ebb and Flow of Dance Music" (Reaktion Books, 2025)
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Yuma Hampejs and Marcel Schulze, "Electronic Body Music" (Mionaetti, 2024)
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Ben Arogundade, "Hollywood Blackout: The Battle for Recognition in a White Hollywood" (Cassell, 2025)
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Giorgio Bertellini, "The Divo and the Duce: Promoting Film Stardom and the Political Leadership in 1920s America" (U California Press, 2019)
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Alfred L. Martin, Jr., "Fandom for Us, by Us: The Pleasures and Practices of Black Audiences" (NYU Press, 2025)
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Sarah Saddler, "Performing Corporate Bodies: Multinational Theatre in Global India" (Routledge, 2025)
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David Wiles, "Democracy, Theatre and Performance: From the Greeks to Gandhi" (Cambridge UP, 2024)
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Mark Doyle, "John Cale's Paris 1919" (Bloomsbury, 2025)
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Anna Maria Busse Berger and Henry Spiller, "Missionaries, Anthropologists, and Music in the Indonesian Archipelago" (U California Press, 2025)
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Miriam Haughton, "The Theatre of Louise Lowe" (Cambridge UP, 2025)
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Liz William, "Rough Music: Folk Customs, Transgression and Alternative Britain" (Reaktion, 2025)
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Koen Galle, "Fuse, Thirty Years of Making Noise" (AfterClub, 2024)
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Simon Morrison, "Tchaikovsky's Empire: A New Life of Russia's Greatest Composer" (Yale UP, 2024)
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Paul R. Laird and Elizabeth A. Wells, "The Cambridge Companion to West Side Story" (Cambridge UP, 2024)
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Holly Grout, "Playing Cleopatra: Inventing the Female Celebrity in Third Republic France" (LSU Press, 2024)
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Fiona Handyside, "Girls' Hairstories: Sparkle and Resilience in Contemporary Screen Cultures" (Edinburgh UP, 2025)
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Ariane Sherine, "The Real Sinéad O'Connor" (White Owl, 2024)
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Richard Heppner, "Woodstock: From World War to Culture Wars" (SUNY Press, 2024)
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Chris Alexander, "Art! Trash! Terror! Adventures in Strange Cinema" (Headpress, 2025)
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Georgia Finnegan, "Grace & Grit: A History of Ballet in Minnesota" (Afton Historical Society, 2024)
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Elizabeth T. Craft, "Yankee Doodle Dandy: George M. Cohan and the Broadway Stage" (Oxford UP, 2024)
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Alfie Bown, "Post-Comedy" (Polity, 2025)
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Simona Valeriani, "The Royal Albert Hall: Building the Arts and Sciences" (Brepols, 2024)
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Joseph Jonghyun Jeon, "Bong Joon Ho" (U Illinois Press, 2024)
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Kate Fortmueller and Luci Marzola, "Hollywood Unions" (Rutgers UP, 2024)
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